Prakash Kaushik. This is one of most beautiful and well recognized recitation-recording of the Chandi.This audio recording sharing is offered to the Lotus feet of Adi Parashakti, the Supreme Being and Divine Mother.
The intention is to share the sacred Durga Saptasati, also known as Devi Mahatmyam to as many devotees as possible, through the medium of the internet. Devi Mahatmyam In Sanskrit Download The AccompanyingYou can download the accompanying Devi Mahatmyam English Transliteration that is also available at this link below. Devi Mahatmyam In Sanskrit Full Details OfIt contains full details of recitation order and various modes of recitations as well as other pertinent information including the narvarna mantra. It would help if you could provide the correct order to listen to these; since I am a novice (the chapters follow each other; but the other audio files I am not sure). What a beautiful voice,I am engrossed in bhakthi when I listen to your durga sthotram. God bless. No words to describe. All emails will be sent by Exotic India using the email address infoexoticindia.com. It is a code of practice for the attainment of perfection, both internal and external, both spiritual and mundane. Goddess Durga seated on a lion represents in Indian myth and legends, rituals and rhetorics, metaphysical contemplations and folk traditions, or to the eye of a worshipper, a painter, a sculptor, or a poet, the Adi Sakti, the proto energy including in it all forms of vitality and strength, might, power, and force, proficiency and dynamism and all operative faculties. And so it is said that Siva begets Sakti and Sakti gives birth to Siva. Like Siva, the Goddess embodies paradox and ambiguity: she is erotic yet detached: gentle yet heroic; beautiful yet terrible. The hallmark of this book lies on the trinity of languages, English Hindi commentary with the original Sanskrit Text with a phonetic transliteration and in depth introduction alongwith the methods of recitation. He is a Life Member of Indian History Congress and has been a Fellow of Indian Council of Historical Research. He has assisted in a major U. G. C. Research Project entitled, Descriptive Catalogue of Sanskrit Inscriptions and Compiled a text book on is known for his scholastic bent of mind in various branches of learning and which is reflected in the publication of India In The Age Of Kanishka and a post graduate text book on Bharatas Natyasastra. It has received accolades for having been written in a coherent and analytical style. Forthcoming are his works of The Selected Inscriptions and Coins of Ancient India, and The Dictionary of Indian History, and A Compendium Of The Medicinal Plants: Importance Use. Moksa, nirvana, eternal life are not an escape from life but the realization of lifes fullest possibilities, the perfection of personality. A soul tormented with remorse for its deeds is in hell, a soul with the satisfaction of a life well lived is in heaven. It is true that one may try to escape from dread, anguish and the other allied states by self-alienation. However, one cannot always succeed in escaping from ones own self. Thus the suffering individual cries out in the words of the Upanisad. Though it appears as an insertion in virtually all editions of the Markandeya Purana, it is also very widely circulated as an independent text, with a distinctive religious significance of its own. Metaphysically the Goddess represents Sakti, the guided power, the transcendental source and support of all creatures and of entire creation. The Rigveda (10125) calls the great Goddess as Vak, the universal power. The Rigveda further refers to Her as Mahimata, the Great Mother, as mothers of gods; as Aditi, the universal nature and infinity; as Viraj, the universal mother, as cosmic cow oozing out of her teats ambrosial milk for the entire creation. She is said to be the daughter of primeval ocean and carries Ambhrini as one of Her many names, obviously to symbolize that She is both the unmanifest source and the manifest cosmos. In the Puranas, the Goddess Mahadevi is referred to as Mahisasurmardini, the slayer of demon Mahisasura, and as Vaisnavi and as Katyayni. Harivamsa Purana differs and says the Goddess was worshipped by the hill and jungle tribes. In Ken Upanisada, the Goddess is depicted as the Guru of the male gods and is called the Brahman, the absolute. However, it is only by the 4th century when in a section of Markandeya Purana known as Devi-Mahatmya and the Goddess Durga is elaborately detailed and the version of Markandeya-Purana remains alike acceptable to all to till date.
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